Karen Knorr. The Ramp (2) (Villa Savoye), Fables series, 2007. Courtesy of the artist, Augusta Edwards, London, and Filles du Calvaire, Paris.
La calidad de la circulación interior será la virtud biológica de la obra, organización del cuerpo construido ligado en verdad a la razón de ser del edificio.
Le Corbusier, “Mensaje a los estudiantes de arquitectura”, Arquitectural design, febrero de 1959.
Karen Knorr. The Stairs (Villa Savoye), Fables series, 2007. Courtesy of the artist, Augusta Edwards, London, and Filles du Calvaire, Paris.
Karen Knorr. The Passage (Villa Savoye), Fables series, 2007. Courtesy of the artist, Augusta Edwards, London, and Filles du Calvaire, Paris.
<strongKaren Knorr</strong. <emDebs’ Delights</em, <emBelgravia</emseries, 1979-81. Courtesy of the artist, Augusta Edwards, London, and Filles du Calvaire, Paris.
<strongKaren Knorr</strong. <emTwo Antagonists</em, <emBelgravia</emseries, 1979-81. Courtesy of the artist, Augusta Edwards, London, and Filles du Calvaire, Paris.
<strongKaren Knorr</strong. <emSecurity is</em, <emBelgravia</emseries, 1979-81. Courtesy of the artist, Augusta Edwards, London, and Filles du Calvaire, Paris.
<strongKaren Knorr</strong. <emI know of a Beautiful Marriage</em, <emBelgravia</emseries, 1979-81. Courtesy of the artist, Augusta Edwards, London, and Filles du Calvaire, Paris.
<strongKaren Knorr</strong. <emI believe a Woman should</em, <emBelgravia</emseries, 1979-81. Courtesy of the artist, Augusta Edwards, London, and Filles du Calvaire, Paris.
<strongKaren Knorr</strong. <emDrones</em, <emBelgravia</emseries, 1979-81. Courtesy of the artist, Augusta Edwards, London, and Filles du Calvaire, Paris.